AT THE
TRIBECA FESTIVAL, THEY TRY, TRY AGAIN
The Tribeca Film Festival, a commendable
effort to bring a measure of healing to those who suffered such enormous
loss on the day of the World Trade Center attacks, has rarely been
saluted for artistic achievement. The festival’s founders--Robert
De Niro, Jane Rosenthal and Craig Hatoff--seemed determined, however,
to make their fourth season (which ran from April 19 through May 1)
a class act worthy of both critical and public acclaim. Keeping Hollywood
schlock--such as last year's opening night premiere of the defiantly
insipid "Down With Love"--to a minimum, they screened an
impressive abundance of U.S. and international indies (approximately
250 films, in all) at various sites in lower Manhattan. A lot of New
Yorkers feel that the founders have finally found the right recipe
for success. To read Variety's report on the festival's winners, click
here; for additional details, click
here. Below, a sampling of films that unspooled at Tribeca.
THE BAXTER:
Michael Showalter, Elizabeth Banks, Michelle Williams, Justin Theroux,
Michael Ian Black, Paul Rudd, Peter Dinklage (Written and directed
by Michael Showalter; IFC Films) Before romantic comedies lost their
innocence to chronic flatulence and a flood of body fluids, the
handsome, sophisticated charmer always managed in the end to sweep
the naughty but virginal heroine off to a life of bliss, leaving
some poor nerd--frequently played by Ralph Bellamy--at the altar
with his mother, the minister and no bride in sight. This revisionist
screwball comedy is said to offer a far happier, sexier ending for
the traditional out-of-the-loop loser. Evidently he not only gets
the girl, but he gets the right girl. And why shouldn’t he?
After all, he’s played by Michael Showalter, who also wrote
and directed this tribute to fun fluff. Opens
8/12
FIERCE
PEOPLE: Diane Lane, Donald Sutherland, Anton Yelchin,
Chris Evans, Kristen Stewart, Elizabeth Perkins, Christopher Shyer,
Blu Mankuma (Directed by Griffin Dunne; Written by Dirk Wittenborn;
Lions Gate) Nobody has it tougher than teenagers these days. Take
Finn (Anton Yelchin), a basically decent New York City kid, for
example. His father is off in the jungle doing his anthropological
thing, and his mother (Diane Lane) is a druggie. When Finn is caught
trying to score some coke for mom, the two scurry to a sumptuous
country estate where Mom becomes a
full-time, hands-on masseuse to
the eccentric, obscenely wealthy Mr. Osbourne (Donald Sutherland).
So far, so good. But then Finn discovers that the fine country-club
set is not so fine after all. Perhaps mom will turn into a twelve-stepper
and shape everyone up. To read the Variety
review, click here.
THE
INTERPRETER: Nicole Kidman, Sean Penn, Catherine Keener,
Tsai Chin, David Zayas, Maz Jobrani,Adrian Martinez (Directed by
Sydney Pollack; Written by Scott Frank and Charles Randolph; Universal)
Just what the world needs now—a thriller about a beautiful
U.N. interpreter (Kidman) who becomes the potential target of a
terrorist when she stumbles upon a scheme to assassinate her boss.
If only she can get a smug Secret Service agent (Penn) to take her
claim seriously! (God forbid that this tenacious translator is herself
part of the sinister conspiracy.) With the permission of the Secretary
General, “The Interpreter,” Tribeca’s opening
night attraction-- was shot at the United Nations headquarters in
Manhattan. What was Kofi Annan thinking? Possibly he was
just trying to keep his mind off that Oil
for Food fuss. To read O. A. Scott's
review in The New York Times, click
here; for Todd McCarthy's review in Variety, click
here. Now Playing
9
SONGS: Kieran O'Brien, Margot Stilley (Written and
directed by Michael Winterbottom; Tartan Films) In movies as diverse
as “Butterfly Kiss,” “Jude,” “Welcome
to Sarajevo,” “Wonderland” and “24 Hour
Party People,” British director Michael Winterbottom has established
himself as one of the most daring, uncompromising filmmakers in
the world today. “9 Songs,” shown out of competition
at Cannes in 2004, drew critical raves, as well as frequent gasps
from viewers not accustomed to un-faked sex on screen. The brazen,
fragmented story deals with a young Englishman and the lovely American
he picks up at a rock concert, and the camera's primary focus is
on explicit (make that XXX-plicit) lovemaking. For
the Variety review, click here; to
read Stephen Holden's New York Times article on "9 Songs"
and other movies that have broken sexual taboos, click
here. Opens 7/22
STOLEN
LIFE: Zhou Xun, Wu Jun, Cai Ming, Su Xiaoming, Wang
Pelyi (Directed by Li Shaohong; Written by Liao Yimei; China Television
Media Ltd.) Her mother rarely appears on the scene, and her grandmother
and aunt offer little in the way of affection or comfort. Can gorgeous
Yan’ni (Zhou Xun) find a way to escape this ugly, toxic household?
Yes, but she must pay a heavy price for the freedom she gains when
she is accepted as a freshman at a pleasingly distant college. Yan’ni’s
extracurricular activities, as it turns out, include a sexual hook-up
with a mesmerizing punk who introduces her to a kind of homework
she could never have imagined. Director Li Shaohong is said to have
worked wonders with this seemingly sudsy material and to have gotten
powerful performances from Zhou Xun and Wu Jun as the naive student
and her sadistic, scheming off-campus “teacher.” She
must have done something right--"Stolen
Life" won Tribeca's Best Movie award. For
the Variety review, click here.
YES:
Joan Allen, Simon Abkarian, Sam Neill, Shirley Henderson, Samantha
Bond, Gary Lewis, Raymond Waring (Written and directed by Sally
Potter; Sony Pictures Classics) Joan Allen plays a London-based
Irish-American woman being driven bonkers by her husband (Sam Neill).
Her situation improves—more or less—when she embarks
on an affair with a Lebanese chef who’s determined to return
to his Islamic roots because of British bigotry. Can this couple
find peace? Perhaps, but it won’t be simple, because this
film is the creation of Sally Potter, the complicated artist responsible
for “Orlando,” starring the magnificent Tilda Swinton.
Expect the unusual, including dialogue spoken in verse. Opens
6/25
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